Centered around the monolithic structure of the cenotaph, we worked closely with Lighting Designer Matt Daw and Designer Stephen Brimson Lewis to create textural, organic, ultra-realistic projection that initially was indistinguishable from lighting [a task we achieved so successfully most reviewers attributed it to lighting] over the course of the play this became more abstract, accentuating the growing tensions onstage, showing accelerated and disjointed passing of time and explosions of emmotion in visual form; culminating in an eerie apparition of the deceased Henry and documenting Ricahrds final descent into maddness.